Wednesday, August 13, 2014

Making progress. 

Based on the Play a Card pattern by Zen Chic, but a tad smaller.  There are 112 different fabrics, all from stash (scraps mostly), save six of the pale violets and a few Botanics prints.

Linking up with WIP Wednesday at Freshly Pieced.

Wednesday, August 6, 2014

I relocated operations to the deck temporarily so I could join in with Rachel over at Stitched in Color with my own Purge of sorts.  Only I'm not limiting myself to just those "meh" prints.   Most everything in my scrap bins was fair game, including my beloved scottie dogs, some original FMF, favorite Mingle prints and more.  I think the only fabric spared the blade was some prize Tula Pink scraps that have their own fate in store.

I cut rough charms from all of my scraps, joined them to white strips, and cut them in half.  The plan is to pair them up with a second half from the leftover pile and assemble into two baby quilts.

But in the meantime, I've been enjoying my rainbow piles.

Linking up with WIP Wednesday at Freshly Pieced!

Saturday, August 2, 2014

It's been too hot lately to do much of anything except lounge around pathetically and complain - let alone hang out next to an even hotter iron - so I thought I'd share a small summer sewing project from cooler days - a little bling for the machine.  Well maybe not bling exactly, but add a few glass-head pins and things could get sparkly.

You see, Finn the Cat, bless his heart, seems to think that every small stuffed object is a cat toy.   Including the pin cushion.  And I'm sure it's not hard to imagine that cat + pins = a very bad thing.

Doesn't he look guilty?

This took very little time to make:
Make a piece of patchwork, measuring the width of the machine neck + 1/2" x roughly 4 1/2".  Cut a piece of second piece of solid cotton or muslin the same size for a lining to keep the filling from sneaking out the seams.
Cut a piece of 1/2" - 3/4" wide elastic a few inches shorter than the two sides and back of the machine body combined.
Layer the fabrics with the solid to the wrong side of the patchwork and fold in half RST the long way.  Finger crease the fold.  Place the elastic in the middle (on right side of patchwork) and align the ends with the short ends of the fabric sandwich.   Pin in place at each end.  (The elastic will be longer than the patchwok and bunch up in the center. Just take care to keep it away from the long edge.)
Starting at the folded edge, stitch across the end, making a few passes to secure the elastic Turn the corner and stitch about 1/3 of the way across, leave a 2" gap for turning, and then stitch to the opposite corner, turn and stitch the other short end with elastic, again reversing over the elastic a few times.

Turn right side out and stuff with your favorite pin-cushion filling.
I used crushed walnut shells, adding a little bit of fiber-fill at the end to pack it in well.
Stitch the opening closed by hand.

That's it!  The elastic should stretch enough to get the cusion up and around the machine arm, but hold it snug in place.

I'm not a big pinner, but I have to say, it sure is handy always having a few close by without having to fear them being absconded by the cat!

If you happen to make a little machine pin cushion, please share a photo on the lark cottons flickr group!

Saturday, July 26, 2014

This post is part of the "Anatomy of a Block" series where we deconstruct and reconstruct a traditional quilt block to figure out what it's all about.

One of the first quilting books I purchased was Maggie Malone's 5,500 Quilt Block Designs.  The title says it all.  There are no quilts, no instructions, just block after block.  I love flipping through the pages, studying the block designs and thinking of all the possibilities.   Some of the attraction is figuring out all the parts and pieces of these blocks and how they fit together. 

For this series of blog posts, I thought it would be fun to take a closer look at a few of my favorites.
Many traditional blocks are based upon an underlying square grid.  Identifying this grid is often the key to constructing a block that doesn't come with cutting and piecing instructions. 

Quilt math works best when the finished block size is easily divisible by the defining grid!  

The grid size relates to a finished square within the block.  It is determined by dividing the finished block size by the number in the grid.   For example, a 12" block based on a four x four grid has a grid size of three.  Knowing the grid size becomes important when calculating fabric to cut.   For the basic square, it's grid size + (seam allowance x 2).  Now, this square might comprise of several individual fabric pieces or a single fabric might encompass more than square, but this basic square is the foundation behind many of the traditional blocks I'll be featuring.
First things first.
The underlying grid to this block is 8 x 8.  I found it by starting with the smallest square and projecting its size equally across the entire block.   The result is 64 squares, each measuring the finished block size / 8.
This is what I'll refer to as the grid size (GS).
Next, divide and conquer.
Like many traditional blocks, Arrowhead consists of repetitive "sub-blocks".  These can typically be found by locating the main seams that track full width of the block and divide the block into distinct sections.  There are two in each direction, creating nine sections and three sub-block types.
The center block (C) is a simple square,  taking up two grids square. This unfinished fabric piece will measure  [(2 x GS) + 1/2"] per side (assuming a standard 1/4" seam allowance).
Block A is pretty simple too.  A nine-patch.  3 squares x 3 squares.
Or three rows of three squares each.
In a two-color scheme, strip piecing is the most efficient.  For each nine-patch there are two rows with the color scheme a-a-b and one row of a-b-a.    Multiply these by the four A-blocks for 8 rows of a-a-b and four rows of a-b-a.  To size each strip:
Width = [GS + 1/2"] and Length = [(GS + 1/2") x (# rows)]
For a scrappy version, four A-blocks need 24 squares (6x4) of background fabric(s), and 12 squares (3x4) of contrasting fabrics.   Since these pieces are the basic square of the block, fabric for each square measures [GS + 1/2"].
That just leaves block B.  Not so simple.  Pulling it apart on the original lines in the diagram yields a whole mess of triangles and a square on point.  Yikes.  If working with a solid or small-scale fabric, I could most likely get away with breaking this block into a few classic patchwork units:
Option 1:  quarter square triangle / flying geese (goose?)
Option 2:  flying goose / square in a square
Option 3:  three flying geese (or a rectangle sandwiched by two geese)

Each of these classic units have specific sizing rules for their fabric pieces, which I won't go into here - but once assembled each unit still needs to fit within the underlying grid.   Looking back at the original gridded block, the unfinished geese, for example, would be [(2 x GS) + 1/2"] wide by [GS+ 1/2"] tall.

But what's purist to do?  How would block B be constructed with seam lines exactly as shown on the diagram?  Here's one way mapped out:
1.  Create a partial square in a square block, using just two corner squares.
2.  Attach a rectangle to a top corner using a similar method and trim the top half of the block at a 45 degree angle starting at the top of the small bottom left triangle.
3.  Since adding the last two triangles one at a time would mean grappling with a Y-seam, attach the remaining two triangles as a single unit instead.

Sizing these fabric pieces can get a little tricky, but returning to the basic square will help.  Using the original grid again as a guide, the large starting square in step 1 is [(2 x grid size) + 1/2"] per side.  The small triangles are a square with [GS + 1/2"] per side.  This works because the stitch line divides the square in half equally.  It follows that the rectangle is  [(2 x GS) + 1/2"] wide by [GS+ 1/2"] tall.
And the last two triangles?  They get into the realm of half-square triangles and quarter-square triangles, with the math harkening back to high school geometry and the good 'ol pythagorean theorem.
As a rule of thumb, add 3/8" to the unfinished starting square for a HST (7/8" to finished size) and 3/4" for a QST (1 1/4" to finished size).  Because these units are half of a half square triangle (making them akin to quarter-square triangles) unfinished squares need to be [(2 x grid size) + 1/2" + 3/4"] per side.

Two contrasting squares will make four of these half blocks - which is exactly what we need for four B-blocks. There's a catch though - two will be mirrored, which means that two of the B-blocks will need the rectangle in step 2 sewn onto the other side!

Of course, with all those points to line up, the fail-safe method may be to paper-piece!

Now that that I've pulled this block apart, I'm off to see if I can stitch this baby back together and will hopefully be back soon with the full tutorial!

Sunday, July 6, 2014

Let me start out by saying that I am not a purse person.  Something about all the straps, pockets, zippers, and snaps is just too complicated for me.  Especially as a bike commuter, when I also have a cycling backpack to manage.  But I do appreciate the need for something to corral those few essentials that I seem to take everywhere.

Enter the simple tote.  The first project in our Summer of Sewing series - dedicated to small projects that require minimal fabric and time to complete.

I made my first tote last year and immediately started getting compliments on it.  (Who doesn't love cute sheep!)  But I also quickly discovered how useful it was.  And how nice to have just one spot for everything.  No rummaging around to find the right pocket I put my keys in, or that pen, or my wallet.  There were just in the bag.

The tote can also be easily upsized or downsized depending your needs.  Library tote?  No problem.  Lunch sack?  Check.  Gift Bag?  Yep.

I've since made a few more.   One to gift, and another to keep as a backup for myself when the sheep need to make a trip through the wash.

Need one (or several) for yourself?  Find the full tutorial over at the annex!

Friday, July 4, 2014

Bee blocks.  A finished top. And XO blocks.

And some quilty trivia:
The Granny Square quilt block has been historically called both Grandmother's Pride and Courthouse Square.

Happy Fourth everyone!

Sunday, May 18, 2014

A little paper piecing and winners!

First off, I am amazed, completely amazed, by all the people who took the time to visit my little space and leave a comment.  Over 400 comments! Thank you all!  I loved reading about everyone's scrappy projects.  Log cabins, string quilts, paper piecing, english paper piecing, zipper pouches...were just a few of the many projects of choice for using up scraps.

I was motivated to do a little paper piecing myself and unearthed the Peace Quilt pattern by Margaret Rolfe.  I purchased this pattern many years ago when I was relatively new to quilting and still a bit unrealistic over how much time it took compared to how much time I actually had!  However, the individual cranes come together fairly quickly.  There are only 17 fabric pieces divided between 5 paper piecing sections.  The hardest part for me was the small size - this block finishes at 4 3/4" square! - and aligning the sections.  Pins through the corner points were a must.  Will I make all 98 needed for the quilt?  Probably not.  But I could easily see myself grouping a small flock together for a pillow.  Or maybe placing one as an accent block on a quilt back.

And now on to the giveaway winners!

I let random number generator do its thing.  You'll notice there are different totals for each prize, which also differ from the total number of comments.  There were a few that noted a preference to be included in only one giveaway, so those names were removed from the other list.  There were also a handful of duplicates, and those were pared down to just one entry per person. As a result, the number of the winning comment does not correspond to the exact placement of that comment in the overall sequence, but it was all mapped out in an excel document and triple checked!  So with that said...

Bundle One - Sunny Pastels - goes to:

Alicia, who wrote:  "I want to try a scrappy X plus quilt!"

and Bundle Two - Scrap Pack - goes to:

Kristen, who wrote: "Since I haven't really been quilting all that long, I haven't built up quite enough stash of scraps to do a scrappy project yet. Can't wait for that day to come, because it means there will be many more trips to the fabric shops!"

Congratulations Alicia and Kristen!  I will be sending you both an email shortly for your addresses.

For those that didn't win this time, I've set up a discount code for the shop, in case you'd still like to get a little something for yourself:  15% off all fabric (excluding remnants) thought Tuesday 5/20 midnight PT, with coupon code mayday14.  Please note that the coupon code is case-sensitive and must be entered on the shopping cart page - don't go directly to checkout - there's no spot for it there!   A few of the Sunny Pastels bundles can be found in the "precuts and bundles" sections.  If they sell out, I'll post more as availability allows.  (Click through to the individual page for an option to be notified when they're back in stock).

Thanks again to everyone for participating in Giveaway Day!  It was great fun!